![]() Phuture, a group founded by Nathan " DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in house music (the instrument had been used earlier in disco records by Charanjit Singh in 1982, in hi-NRG, Alexander Robotnick in 1983). ![]() The first acid house records were produced in Chicago, Illinois. Problems playing this file? See media help. Phuture's " Acid Tracks" (1987) is often regarded as the first acid house record. Following its rediscovery and eventual re-release in early 2010 some music journalists to compare the music with acid house music, even suggesting it might be the first example of the style. The record was initially a commercial failure in India and eventually forgotten. The album featured a TB-303 prominently, Singh being one of the earliest musicians to use it on a commercial release. In the 21st century, attention was drawn to Charanjit Singh's album Synthesizing: Ten Ragas to a Disco Beat, featuring Indian ragas fused with disco. Another points out Sleezy D's "I've Lost Control" (1986) was the first to be released on vinyl, but it is impossible to know which track was created first. However, the earliest recorded examples of acid house are a matter of debate.Īt least one historian considers Phuture's "Acid Trax" to be the genre's earliest example DJ Pierre says it may have been composed as early as 1985, but it was not released until 1987. History Origins īefore the term "acid house" was introduced, rawer early acid house was " hi-NRG," a type of bassline-driven electronic music that began with disco music that discarded its funk element, starting with Giorgio Moroder productions for Donna Summer. The name of acid jazz is derived from that of acid house, which served as one of the inspirations for the genre’s development. ![]() In this theory, the term acid came from the slang term "acid burning," which the Oxford Dictionary of New Words calls "a term for stealing." In 1991, UK Libertarian advocate Paul Staines claimed that he had coined this theory to discourage the government from adopting anti-rave party legislation. One theory, holding that acid was a derogatory reference towards the use of samples in acid house music, was repeated in the press and in the British House of Commons. Some accounts disavow psychedelic connotations. In the context of the creation of "Acid Tracks" it indicated a concept rather than the use of psychedelic drugs in itself. In her view " acid connotes the fragmentation of experience and dislocation of meaning due to the unstructuring effects on thought patterns which the psychedelic drug LSD or 'Acid' can bring about. According to Rietveld, it was the house sensibility of Chicago, in a club like Hardy's The Music Box, that afforded it its initial meaning. Some accounts say the reference to "acid" may be a celebratory reference to psychedelic drugs in general, such as LSD, as well as the popular club drug Ecstasy ( MDMA). Regardless, after the release of Phuture's song, the term acid house came into common parlance. Sources differ on whether it was Phuture or Sherman who chose the title Phuture's DJ Pierre says the group did because the song was already known by that title, but Sherman says he chose the title because the song reminded him of acid rock. The song was released with the title "Acid Tracks" on Larry Sherman's label Trax Records in 1987. The club's patrons called the song "Ron Hardy's Acid Track" (or "Ron Hardy's Acid Trax"). Before the song was given a title for commercial release, it was played by DJ Ron Hardy at a nightclub where psychedelic drugs were reportedly used. One account ties it to Phuture's " Acid Tracks". There are conflicting accounts about the origin of the term acid. Problems playing these files? See media help. Both patterns have gradual changes in cutoff frequency. The second pattern has varying resonance to give a harsh screeching sound. Two simple overdriven patterns on the same synthesizer as in the previous clip.
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